Philosophy of Art (B-LUCA-K34001)

3 ECTSEnglish24 First termFirst term
Mühleis Volkmar (coordinator) |  Mühleis Volkmar |  N.
LUCA POC VISUAL ARTS & DESIGN (OC grafisch ontwerp, textielontwerp, vrije kunsten Gent)

The student is able to interpret philosophical texts regarding fine arts.

This means: The student

1) has a knowledge of the texts that were discussed during the seminar,

2) can compare these texts,

3) can discuss the relevance of these texts regarding fine arts in general and the artistic practice in particular.

- The student understands the historical background of the texts in relation to the history of art and to contemporary notions of the arts.

- The student can compare the relevance of this exercise within the spectre of his/her/their artistic and intellectual orientation.

The following 'course-specific learning outcome' applies to the course: Having and also continually developing knowledge and insight in the societal, cultural, artistic, historical and international context of the visual arts and the artistic practice.

 

No prerequisite requirements for enrolment.

Activities

3 ects. Philosophy of Art (B-LUCA-K50763)

3 ECTSEnglishFormat: Lecture24 First termFirst term
LUCA POC VISUAL ARTS & DESIGN (OC grafisch ontwerp, textielontwerp, vrije kunsten Gent)

A painting is visible, but its meaning is partially invisible. The same goes for every artwork. Philosophy of art is focusing on the meaning of it, in reference to concepts that allow an identification of things in terms of art. So, to understand art properly, you need a notion of (for example) visible qualities as well as their invisible references, a notion of practice, artwork and theory. To gain this wider understanding, we will read and discuss four texts on the philosophy of art.

The first one is a chapter of the study The Great Image Has No Form by French philosopher and Chinese linguist François Jullien (*1951), the chapter is called ‘Theory of the Sketch’ and analyzes an intercultural comparison on key subjects of Western and Chinese art.

The second example is an excerpt of the founding text of the philosophy of art in the West, on the production of art, Poetics, by the antique Greek philosopher Aristotle.

The third extract is part of Immanuel Kant’s Critique of Judgment, published in 1790, a reflection on aesthetics and the principles of creating ‘free art’.

The last one refers to this tradition of poetics and aesthetics and questions it from a contemporary point of view. It is a chapter of the book Aesthetics and Its Discontents by French philosopher Jacques Rancière (*1940), especially on the relation of art and politics.


At the end of this course the student is capable of:
-reading and analyzing philosophical texts on the meaning of art,
-discussing these texts with others (taking distance),
-writing his/her/their own reflection on these texts (creativity, directing yourself),
-relating these texts to the practice of art and artworks themselves.

Texts on Toledo

In the lessons we will focus on the interpretation of the philosophical texts, this means 'close reading' and discussion about the content, including taking notes by the students regarding their self-study of the texts.

Due to measurements regarding a pandemic the lessons could take place online or be replaced by assignments. 

Evaluation

Kunstfilosofie (B-LUCA-K74001)

Type : Exam during the examination period
Description of evaluation : Oral
Type of questions : Open questions
Learning material : None

AssessmentGrading scale
TOTAL1-20/20 scale

Form of evaluation: oral

Exam opportunities: students can take part in the exam twice during the same academic year.

The assignment stays the same for the re-exam.